Studies of Western Graphic Design History
This work came out my studies in graphic design history and foundational theory, a large and intricate network of ideas and practices. As I was trying to make sense of this massive body of information, I began developing a timeline to help me understand the various movements and contributors in relation to each other. It quickly evolved into being a study in itself - how to best represent a history that is overlapping, simultaneous, and is the result of a time and place specific contexts?
Large Format Print of Western Graphic Design History Timeline
Designed for a large format print, the timeline features major western graphic design movements, notable contributors, notable contributions, and cultural & technical events that affected the field of graphic design . The information is organized chronologically and by location. Tthe colours reveals shifts in style over time.
The colour of the lines and movement blocks is determined by their position on a style matrix that I developed (below). Both axis are set up as a spectrum between two stylistic opposites: The x-axis as organic style to geometric style and the y-axis as decorative style to minimalist style. The graphic design movements are then be plotted within the matrix according to their stylistic tendencies (relative to each other).
What information does the timeline provide?
Country of origin
Theories & Practices
Their Aesthetic Qualities
geometric vs organic
minimalist vs decorative
Contributions to the field
Country of origin
Date of occurrence
About the contribution
Cultural & Technical Events
Name of event
Year(s) of occurrence
About the event
It’s effect on graphic design
This timeline project ultimately lead to my fascination with information visualization. I realized that if this much information could be made accessible in a static (and somewhat clumsy) information graphic, the interactivity of infovis would expand such possibilities exponentially.
Here are a few other gd history studies:
Stop the Presses! (left) is a graphic representation of the Arts & Crafts response to the rapid production of low quality design that emerged during the industrial revolution, known as the Victorian era .
Typographic History (right) explores the evolution of typography since 1600 through one of my favourite quotes by Arts & Crafts designer and writer, William Morris:
"The past is not dead, it is living in us, and will be alive in the future which we are now helping to make."
  Cramsie, Patrick. The Story Of Graphic Design, From The Invention Of Writing To The Birth Of Digital Design. New York: Harry N. Abrams, 2010. Print.
  Eskilson, Stephen. Graphic Design, A New History. 1. New Haven: Yale University Press, 2007. Print.
  Heller, Steven, and Seymour Chwast. Graphic Style, From Victorian To Digital. New Edition New York: Harry N Abrams Inc, 2000. Print.
 Hollis, R. Swiss graphic design, the origins and growth of an international style, 1920-1965. Laurence King Publishing, 2008. Print.
 Armstrong, Helen. Graphic Design Theory, Readings From The Field. New York: Princeton Architectural Pr, 2009. Print.